Boldness be my friend. - William Shakespeare

For those of you who bravely and boldly go into the realm of creating your own exercises, firstly, I raise my glass to your bravado!

You should know, based on my minimal research, that not nearly every teacher does this. In fact, I would estimate that less than 50% regularly teach unset exercises; that's so unfortunate for their students and for them! To be fair though, it is a ton of work when you're first getting started with creating exercises.

There are a...

Similarities Between Music within a Metered Family

Have you ever considered the differences and similarities between different music styles? For example, the 4/4 and the 2/4 are both part of the duple meter family, meaning you, as a dance teacher, can count both of them by simply saying 1 & 2 & along with the music; they are divisible by 2. 

Another similarity is the 3/4 adagio and 6/8 adagio, they are both slow triple meter music, meaning you, as a dance  teacher, count them the same,...

So, I was working on my music training course (coming out for the first time sometime in May/June, pending disaster; sign up here if you're interested) and was curious on the break down of all the music; how much of it was duple and how much of it was triple. I popped them all into a graph and it was so interesting that I had to share! FYI: this list is not exhaustive, but, for your purposes of teaching on the fly, it's probably as exhaustive as you want it to be! lol (Feel free to email me if you think...

I'm going to share something with you today that is going to BLOW YOUR MIND if you haven't learned it already! Did you know that all music (well, 98% of it) is either duple (2 based) or triple (3 based) metre. Say what? You might be thinking right now.. 'obviously waltzes and minuets are triple metre, marches, hornpipes and polkas are duple metre.. but what about 5s and 7s? They're different! Oh and 9/8s.. they're different! Girl, you don't know anything..' am I reading your mind? It's all good! I used...