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Blog #41: Comfort Meter; Your Greatest Strength and Your Greatest Weakness

Apr 07, 2021

You know how sometimes you meet someone and immediately you think..

"wow, I just love this person.. I think we could be best friends! They're amazing! I could spend hours with them and never get tired of them.. They're so easy to hang out with because they're _________ (You fill in the blank!)."

Fast forward a few weeks and suddenly that very character trait that drew you to them like butter to popcorn or rum to coke is driving you bonkers.. like being stuck behind a slow driver when you're late!  

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Blog #38: Training Musicality in Mature Dancers

Jan 23, 2021

I have a question to put to you..

Is it possible to train a professional dancer or prima ballerina, or is that something you born with?

I do think it’s easier for someone who is instinctively musical and naturally intuitive as a performer to reach that kind of status on the stage but, with the right training and support, I think it's quite possible for the most unlikely of young dancers to make it on the stage!

As a ballet teacher, you have incredible potential to impact the future potential of...

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#32: Thoughts on Music for Plies

Nov 03, 2020

Time to talk..

Music for Plies

When I think about plies as a musician, my mind immediately goes to long and slow. When I was first learning to accompany for ballet, plies were a safe haven since they were the easiest to play for. Later on, as I became more confident in my ability and in my understanding of accents, rhythms, etc, it became something dull and often boring for me. Now, in my 'old' age of experience accompanying ballet, I love them.

I love the weight and elasticity of the movement. I love...

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